Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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unknow artist
Vattenbocken,en robust antedate cautious stamp myskdoft am failing its shelter

ID: 49785

unknow artist Vattenbocken,en robust antedate cautious stamp myskdoft am failing its shelter
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unknow artist Vattenbocken,en robust antedate cautious stamp myskdoft am failing its shelter


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unknow artist

  Related Paintings of unknow artist :. | orientens kvinnor gjorde ett starkt intryck pa resande nordbor | Still life floral, all kinds of reality flowers oil painting 116 | Hunter on Horseback Attacked by a Mythical Beast | Floral, beautiful classical still life of flowers.068 | einar sigstad vilande algar |
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Morphy, Garret
Irish, Active 1676-1716
PALMA GIOVANE
Italian Mannerist Painter, ca.1548-1628 Son of Antonio Palma. A greater artist than his father, his vast oeuvre represents the impact of central Italian Mannerism but principally of Jacopo Tintoretto on Venetian painting in the generation after Titian, Tintoretto and Paolo Veronese. He died in his late seventies and was occasionally referred to as 'il vecchio', but since the 17th century he has been known as 'il giovane' to distinguish him from his great uncle. He was virtually self-taught, apart from a presumed acquaintance with his father's workshop. In 1567 he came to the attention of Guidobaldo II della Rovere, Duke of Urbino, who was to support him for four years. A possible knowledge of Federico Barocci's art at the court of Urbino left little trace on his surviving early works. The Duke sent him to Rome for study, where he spent a few months apprenticed to an unknown artist. There his sympathy was with Taddeo Zuccaro and Federico Zuccaro, who influenced the graphic style of the drawing of Matteo da Lecce (1568; New York, Pierpont Morgan Lib.), his first dated work. His Roman sojourn, which lasted until c. 1573-4, made a direct impact on some of his Venetian works and indirectly made him receptive to Tintoretto's style. A tendency in Rome in the 1560s to retreat from the most artificial and decorative aspects of Mannerism in favour of naturalism was also to affect Palma's attitude to style in his mature works
alexis wetterbergh
wetterberghs malning bar professor sandbergs godkannande paskrift, men eftersom maleri inte forekom pa konstakademiens schema fore 1856






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